20 Broken Objects — First Covered State

The objects before they went anywhere — each one wrapped and taped, gathered in a pile that looks more like a sorting office than an artwork. This was the moment the broken things became something else.

The objects before they went anywhere — each one wrapped and taped, gathered in a pile that looks more like a sorting office than an artwork. This was the moment the broken things became something else.

Handmade beeswax candles arranged in a loose spiral on a concrete floor, inside a room built from cardboard sheets — the warmth of the flames against the rawness of the space. It held together better than it had any right…

A light box on the floor, casting the word “BLESSED” onto the wall at an angle — the question mark in the title doing most of the work. Whether it lands as benediction or irony depends entirely on where you’re…

The orange light, a function of the copper interior, housed inside the cardboard box, the acrylic face glowing against the dark. The box doing more work than a box usually has to.

The same piece emerging into the light itself, the ambient light washing out at the edges — the shadow of something cast onto the face of the acrylic. A quieter version of the same idea.

Five corrugated cardboard boxes made to nest inside each other, each one a slightly different proportion to the last. The exposed flute at every edge is the whole point — these are not trying to look like anything other than…

Five versions of the same basic form lined up in order — cardboard, card, and lead — each one a similar idea in a different material or manner. A question about what a box actually is.

The same box, properly photographed — plain paper wrapping, string, white background. The studio version of a thing that had previously only existed on a worktop.

The solid cardboard cube in the studio, the light catching the flute at every edge and making it glow slightly, and appear penetrable.

The first box I made, built to house a piece of polystyrene that had been compressed and deformed — the container more substantial than its contents. That imbalance felt about right.